Monday, 3 August 2020

The Demolition of the Century by Duncan Sarkies

The demolition of the centuryThe demolition of the century by Duncan Sarkies
My rating: 3 of 5 stars

Time taken to read - 3 days

Pages - 408

Publisher - Penguin

Source - Amazon Vine

Blurb from Goodreads

Tom Spotswood (aka William McGinty) is an insurance investigator who has lost his socks, his suitcase, his career, his ex-wife and, most importantly, his son Frank.

He is being followed by Robert Valentine, the mysterious owner of the horse with no sperm; Alastair Shook and his van of teenage guards; and Spud, a demolition man who is using his wrecking ball to bring down the most beautiful movie theatre in town, the Century.

To find his son, Tom will have to come to terms with his past – a past he ran away from. But first will have to find those socks.



My Review

This book was nothing like I was expecting, I was thinking a dodgy investigation scam and maybe the fallout from that following Tom. And it isn't exactly not that, Tom is an alcoholic running from his past and the ever looming Robert Valentine. He lost so much after making one wrong decision, his job, his family, the place he lived. Now he is back and Valentine has people practically on every corner, threatening Tom and Tom isn't having it.

Spud is all about the demolition game and has huge issues from his past. Just now his job is taking down a beautiful old theater, we learn about his home life and past demons hovering. When Spud and Tom's path cross we start to learn more about both and things we thought were very separate actually have links and the story has much deeper layers than the reader initially realised or anticipated.

The book for me was almost like two different stories, part one being focused heavily on Tom and coming back to town after the shady insurance job. Spuds family life, his work and who he is as a person and the struggles he had endured, the past influences the present. Side note, there is a small focus on a badness that happens to a horse but no more animal harm discussed or covered bar that one incident. Part two we see much more depth to Spud and Tom and how many issues they both have, looking at addiction, issues from childhood and how this impacts on mental health. Mental health is integral to the second half, cause and effect and the book has a very human feel to it. Being that the two main characters are male it opens a very emotive theme, raw, sad, moving and I think depending on what your personal experiences are may have an impact on a personal level you receive the book.

This is the first time I have read this author, I would absolutely read him again, 3.5/5 for me this time. I like when a book catches you unawares and the depth this book takes you to, especially as I wasn't expecting it to go to the places it did, thought provoking for sure!





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Thursday, 30 July 2020

Say No More by Karen Rose

Say No More (Romantic Suspense #24; Sacramento #2)Say No More by Karen Rose
My rating: 4 of 5 stars

Time taken to read - In and out over 4 days

Pages - 480

Publisher - Headline

Source - Netgalley

Blurb from Goodreads

Mercy Callahan thought she'd escaped the cult decades ago, but its long fingers are reaching out for her again in this electrifying novel in the Sacramento series...

Seventeen years ago. That was the last time Mercy Callahan saw Ephraim Burton, the leader of the twisted Eden cult where she was raised. But even though she escaped the abuse and terror, they continue to haunt her.

When her brother Gideon discovers new evidence of the cult's—and their victims'—whereabouts, Mercy goes to Sacramento to reconnect with him. There, she meets Gideon's closest friend—homicide detective Rafe Sokolov. From Rafe, she receives an offer she never knew she needed: to track down Ephraim and make him pay for everything.

But Ephraim, who had thought Mercy long dead, discovers she is in fact alive and that she is digging around for the cult's secrets. And now he'll do anything to take her back to Eden—dead or alive.



My Review

I LOVE Karen Rose books, I am sure I have gaps in the series and need to go back and buy up those I have missed. This is book two in the Sacramento series, go and read book one if you haven't already as there is a lot of the story is follow on from book one. We focus on Mercy and Rafe, with all the side characters in between but these two are our main focus. Mercy wants to make amends with her brother Gideon, for years she hated him for leaving her and her mum in the cult. Suffering abuse, brain washing, manipulation and female children as young as twelve being married off in the commune Mercy has a lot to be angry about. Book two is about her facing the realities of Gideon's life, the long reach/scars from the commune and that sometimes you cannot outrun your past, not matter how long you have broken free from it.

Be warned guys, this has a lot centered around the cult, murder, rape, abuse, brain washing and what is at the heart of most of these "communities" money and power. Mercy quickly realises she will never be truly free from her past and instead on putting her head in the sand she needs to face it. Before more people are hurt, killed or even risking her own life. Her brother and Rafe are cops, she should be safe as houses but these people stop at nothing and we see from the very beginning how far they will go. Action packed, pacey, shocking, enraging, romantic, healing empowering an d huge character growth for some of these guys. Hard truths, overcoming inner demons and learning to trust, Rose intertwines all of this in a tale of death, murder, abusers whilst bringing in love, friendship, trust and family.

Despite being in double figures with these books she manages to bring fresh stories and lets the reader get to know more of the characters and keeping the stories new and shocking, 4.5/5 for me this time. Already impatiently waiting on the next book in the series!

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Wednesday, 29 July 2020

The Reader on the 6.27 by Jean-Paul Didierlaurent, Ros Schwartz

The Reader on the 6.27The Reader on the 6.27 by Jean-Paul Didierlaurent
My rating: 3 of 5 stars

Time taken to read - 1 day

Pages - 195

Publisher - Pan MacMillan

Source - Review Copy

Blurb from Goodreads

An irresistible French sensation - Mr Penumbra's 24-hour Bookstore meets Amelie - The Reader on the 6.27 explores the power of books through the lives of the people they save. It is sure to capture the hearts of book lovers everywhere. Guylain Vignolles lives on the edge of existence. Working at a job he hates, he has but one pleasure in life ...Sitting on the 6.27 train each day, Guylain reads aloud. And it's this release of words into the world that starts our hero on a journey that will finally bring meaning into his life. For one morning, Guylain discovers the diary of a lonely young woman: Julie. A woman who feels as lost in the world as he does. As he reads from these pages to a rapt audience, Guylain finds himself falling hopelessly in love with their enchanting author ...

The Reader on the 6.27 is a tale bursting with larger-than-life characters, each of whom touches Guylain's life for the better. This captivating novel is a warm, funny fable about literature's power to uplift even the most downtrodden of lives. 'The humanity of the characters ...the re-enchantment of everyday life, the power of words and literature, tenderness and humour ...



My Review


Guylain Vignolles travels into Paris, on the 6.27 train to head to a job he hates, pulping hundreds/thousands of books daily. He manages to save a few random pages each times and uses them to read aloud to the passengers, from the same seat, everyday.

The book is really quite different to anything I have read, not exactly sure how to describe it or what genre I would slip it into. Guylain isn't happy in his life, the machine at work is dangerous and has already claimed limbs of a previous worker which sees the story go down a different vein. We see the impact Guylain has on some of his fellow commuters and the impact literature has on the characters involved in the story. Then Guylain finds a diary, of a real person and opens the story up in to a different direction and gives him some purpose and focus, bringing us a new character.

It is certainly different and some people have loved this book, I think for some it is a special wee read that brings different things to different people. Some of the characters are very lonely, isolated and it is lovely how random readings and a diary bring them into each others lives. It has humour, sadness, relationships and some good shining moments on the nicer aspects of humanity through small gestures with big impact. 3/5 for me this time, this was my first time reading this author, I would read him again.


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Tuesday, 28 July 2020

Lust Killer by Ann Rule

Lust KillerLust Killer by Ann Rule
My rating: 4 of 5 stars

Time taken to read - 1 day

Pages - 295

Publisher - Berkley Books

Source - bought from Amazon

Blurb from Goodreads


When young women begin mysteriously disappearing in Oregon, Police Lieutenant James Stovall leads a relentless search for a killer. With little evidence available, and the public screaming for answers, he must find a remorseless, brutal killer whose identity will shock them all ...

One by one the young women vanished without a trace ...

Pretty Linda Slawson disappeared while trying to make a living selling encyclopedias door to door.

Lovely college girl Jan Whitney never completed her two-hour drive home on the freeway.

Beautiful pre-med honor student Karen Sprinker failed to show up for a lunch date with her mother.

Stunningly attractive Linda Salee dropped out of sight while her boyfriend waited and worried for hours.

By then the pattern was clear. Oregon's massive police search was under way. But not even Lt James Stovall, the brilliant investigator in charge, suspected how grisly the crimes were - or who the man who killed like a sadistic monster would turn out to be ...

"Rule springs surprises and revelations with a novelist's skill.'
- Seattle Times



My Review


I read/watch a fair amount of true crime books/programmes but I have never heard of this guy before. Jerome Brudos was a serial killer in the 1960s based in Oregon, was a family man and brazen enough to conduct his atrocities with his family in the house, no idea what was going on.

His wife was a very naive woman who took her husbands word pretty much as gospel, when he told her never to go out into the freezer and tell him what she needed out. Never to go into his "workshop" and encouraged her to dabble in some dress up/photography even though it made her uncomfortable.

The author takes us through his life, his perversions, the ignorance of his poor wife, the police investigation and shows us how easy it is for an innocent to get trapped in a world of suspicion and murder helped by the word of a gossip neighbour. First time reading this author, absolutely would read her again and she apparently had loads of books on true crime, 4/5 for me this time.


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Friday, 24 July 2020

Lover Avenged by J R Ward

Lover Avenged (Black Dagger Brotherhood, #7)Lover Avenged by J.R. Ward
My rating: 4 of 5 stars

Time taken to read - 3 days

Pages - 527

Publisher - Piatkus

Source - Gift from a friend

Blurb from Goodreads

Rehvenge has always kept his distance from the Brotherhood—even though his sister is married to a member, for he harbors a deadly secret that could make him a huge liability in their war against the lessers. As plots within and outside of the Brotherhood threaten to reveal the truth about Rehvenge, he turns to the only source of light in his darkening world, Ehlena, a vampire untouched by the corruption that has its hold on him—and the only thing standing between him and eternal destruction.


My review

Book 7 in the series, by now I would advise reading the previous books but you could get away with reading it as a standalone but you miss so much that has passed. Rehvenge is the drug dealing (and allowing other trades to go on) in his nightclub. The club the Blackdagger Brotherhood frequent, Regvenge is a sympath, a sin eater and any and all should be reported and deported due to the threat they carry. Rehvenge's secret isn't known by many but some would seek to use him to further their own cause. Will Rehvenge's sympath side allow for the betrayal and aid the take down that would destroy the vampire society as we know it?

So each book tends to have a character focus, this one is Rehvenge although as with the other books we follow the storylines of some of our favourite and some of out hated characters. Rehvenge finally finds something to interest him than his making money, his club and having to allow his body to be used to keep a secret to protect others.

This book is woven with treachery, good vs bad, as always sex is throughout the book and some of the fall out of that. This book was a bit different from the others are we see the vampires face some of the health issues that humans face which I actually thought they were immune to. Some of our faves are pushed to the limited and have their strengths tested to the limit. I cannot wait to get to book 8 and see what is in store next for our characters and I feel things are set to get a lot darker, 4/5 for me this time. I have set about buying the rest of the series because I need to know.

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Tuesday, 21 July 2020

Her Last Breath by Alison Belsham

Her Last Breath (The Tattoo Thief, #2)Her Last Breath by Alison Belsham
My rating: 4 of 5 stars

Time taken to read - 1 day

Pages - 304

Publisher - Trapeze

Source - Netgalley

Blurb from Goodreads

He leaves his victims fighting for life,
And with the mark of death...

After old remains resurface in a heatwave, a young woman is attacked and left fighting for her life in hospital. 24 hours later she dies and a deadly tattoo is discovered on her body.

When another young woman disappears, Detective Francis Sullivan and his team fear a serial killer walks the streets of Brighton.

His team identify a suspect, Alex Mullins, son of his lover, Marni. Can Francis forget their shared past and save the next victim before it is too late?


My Review

Marni Mullins is still a bit rage from unfinished business from book one with Detective Francis Sullivan. Marni is a tattoo artist and helped out with a previous case that got a wee bit personal and dangerous, she is done with the cops. However when a young girl is horrifically attacked and then another and her son Alex becomes a person of interest Marni finds herself having to look to Francis for help. With a sadistic killer, her son looking like the prime suspect Marni has to put aside person feelings of distrust and anger with the police to try and clear her boys name.

The attacks on the young ladies are shocking and horrific but very unusual and the amount of crime fiction I read it takes a bit to find a new method. The book kicks of pretty quickly then we head into police investigation, the personal side from Marnie and Francis, the police treatment of their suspect. I haven't been so angered at fictional characters in ages! The police and their pursuit of their "suspect" was absolutely infuriating and shocking but makes for compelling reading. You want the bad guy caught, you want the police to be called to task for some of their shady behaviour/pursuit of the case.

We also see the personal side between Francis and Marnie, Marnie and her husband and the family dynamics as well as Marnie's past creeping back in throughout the book. Really good pace, racism (so expect to be angered), danger, police investigation, relationships, murder and that is just the beginning. 4/5 for me this time, very much looking forward to seeing the next in the book series!


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Thursday, 16 July 2020

Q&A with Paul Tudor Owen

Today I have an author interview with Paul Tudor Owen, chatting all about his debut novel "The Weighing of The Heart". Apologies this has taken so long to post but I think you will agree it was worth the wait.




Author Bio from Amazon

Paul Tudor Owen was born in Manchester in 1978, and was educated at the University of Sheffield, the University of Pittsburgh, and the London School of Economics.

He began his career as a local newspaper reporter in north-west London, and currently works at the Guardian, where he spent three years as deputy head of US news at the paper's New York office.



About the book, blurb from Amazon

Following a sudden break-up, Englishman in New York Nick Braeburn takes a room with the elderly Peacock sisters in their lavish Upper East Side apartment, and finds himself increasingly drawn to the priceless piece of Egyptian art on their study wall - and to Lydia, the beautiful Portuguese artist who lives across the roof garden.

But as Nick draws Lydia into a crime he hopes will bring them together, they both begin to unravel, and each find that the other is not quite who they seem.

Paul Tudor Owen's intriguing debut novel brilliantly evokes the New York of Paul Auster and Joseph O'Neill.

Available to buy now, treebook and ebook (kindle is only 99p, Amazon UK, at time of posting.




· Tell us what “The Weighing of the Heart” is about?

The Weighing of the Heart is about a young British guy living in New York called Nick Braeburn, who moves in with a couple of rich older ladies as a lodger in their opulent apartment on the Upper East Side. He gets together with their other tenant, Lydia, who lives next door, and the two of them steal a priceless work of art from the study wall.

The work of art that Nick and Lydia take is an Ancient Egyptian scene, and as the stress of the theft starts to work on them, the imagery of Ancient Egypt, the imagery in the painting, starts to come to life around them, and it’s intended to be unclear whether this is something that is really happening or whether it’s all in Nick’s head.

· What inspired you to write it?

There were a couple of things that inspired it. The first was New York, where my wife and I lived from 2015 to 2018.




I’d had an obsession with New York since being a teenager. It felt like all these great novels and films and songs I loved were set in New York – The Great Gatsby, Mean Streets, Simon and Garfunkel. It felt like a place where anything could happen, it felt like a great crucible of art and culture where anyone who was anyone either came from or had made their name or had depicted it so memorably.

And that led me to study American literature and American history at university, and the third year was a year abroad, and I went to the University of Pittsburgh, and that was when I was able to visit New York for the first time myself.

And walking those streets, all the unmistakeable iconography of New York around you – the fire escapes, the yellow cabs, steam rising from a manhole, the skyscrapers, the rivers – it just felt like I’d walked into one of those books or films that I’d loved.




And I not only wanted to live there, I wanted to be part of this great tradition of depicting New York and romanticising it. And when we did move there, I’d already written quite a lot of The Weighing of the Heart, so in some ways it really did feel like life imitating art. I was still working on the ending, and I wrote the final chapters in the public library in Soho, round the corner from where David Bowie lived. I used to enjoy walking the same streets that Nick and the other characters in the book would walk, visiting the galleries and restaurants and streets that they visit in the book. There’s a real apartment block on the Upper East Side, just across from Central Park, that I used as the model for the Peacock sisters’ apartment block.

I’d wanted to live there for so long that I did sometimes wonder if this was really happening. I remember when I was a kid watching an episode of Red Dwarf, the sci-fi TV sitcom from the 90s, where the lead character, Lister, gets hooked on this immersive virtual-reality computer game called Better Than Life. And in the game he thinks he is living in Bedford Falls, the town from It’s a Wonderful Life, and he loves it and he doesn’t want to leave. And sometimes after moving to the US I got a bit worried that I was in Better Than Life, that I would wake up and I’d be still a teenager in Manchester reading The Catcher in the Rye, fantasising about New York. The second major source of inspiration came from an exhibition I went to a few years ago at the British Museum called The Ancient Egyptian Book of the Dead, which told the story of what the Ancient Egyptians believed happened to you when you die.

As I learnt from the exhibition, the Ancient Egyptians believed in a ceremony called ‘the weighing of the heart’, something in some ways similar to the Christian idea of St Peter standing at the gates of Heaven, deciding whether or not you have lived a worthy enough life to come in.

In the Ancient Egyptian version, Anubis, the god of embalming, presides over a set of weighing scales, with the heart of the dead person on one side and a feather on the other. If the heart is in balance with the feather, you get to go to the afterlife, which they called the Field of Reeds. But if your heart is heavier than the feather, you get eaten by an appalling monster called the Devourer, who has the head of a crocodile, the body of a lion, and the back legs of a hippopotamus – three of the most dangerous creatures that Ancient Egyptians could encounter. To the Ancient Egyptians, the heart, rather than the brain, was the home of a person’s mind and conscience and memory, which was why it was the heart they were weighing. And, intriguingly, one thing they were afraid of was that the heart would actually try to grass you up during this ceremony – sometimes the heart would speak up and reveal your worst sins to Anubis at this crucial moment. You could prevent this from happening by keeping hold of a little ‘heart scarab’.

I was spellbound by this ornate mythology, which had formed over centuries and millennia; I loved the way it was so familiar in its overall concept but so strange and unfamiliar in its details. And I realised that the painting Nick and Lydia should steal should be an image of this ceremony, the weighing of the heart. It was so fitting, because the book is essentially about guilt and innocence; it’s about you weighing up as a reader how much you trust Nick as a narrator, and it’s about Nick himself and the people around him weighing up how much they trust him, what they think of him, what they know about him and his character. And without spoiling it for anyone who hasn’t read it, I hope that I found a way to knit all that imagery into the book effectively, especially towards the end.

Once I’d settled on this, there were a number of strange coincidences. At one point in The Weighing of the Heart Nick recalls a school trip to the British Museum, and it is suggested he might have stolen one of these heart scarabs that could protect you during the ceremony. I had written this scene but I wanted to get the details right, so I looked through the British Museum’s collection of scarabs on their website and identified the one that best fit the bill, and then I went down to the museum to take a look at it in person.

But when I got there and found the case where this scarab was supposed to be, the space for this scarab was empty. Instead of the object itself there was just a note on the wall that said: ‘Heart scarab (lost).’




It was another strange moment of life imitating art.

· How long did it take?

I think I started the book around 2011, and once I’d written the first couple of chapters I quickly felt quite confident that what I was writing was much better than anything that I’d written before. I had found an agent after working on a previous book that never found a publisher – looking back at it now it wasn’t up to scratch. So I went to him with the beginning of The Weighing of the Heart, but because of the failure of the first book, he seemed to have more or less lost interest. So I was faced with a choice. You’re usually told as an author – especially when you’re starting out – that you will never get anywhere without an agent, and that if you have managed to get one you should do everything you can to keep them. I’m sure there is a lot of truth in that. But I felt that if I stayed with this agent, that was not going to result in this book getting published. So I amicably cut ties with him and set about trying to find someone new. And luckily that turned out to be a much easier process than it had been in my early 20s.

In those days agents had all expected manuscripts to be delivered by post, and I remember every weekend printing out page after page of my chapters, stapling these bundles together, taking them to the post office... It was very time-consuming. But by the time I came to find a new agent, the world of agents had finally discovered email, and that vastly simplified the whole system. I finished work one day and went to a secluded spot in the office, and started working my way from A to Z through The Writers’ and Artists’ Yearbook, which lists all the agents in the UK, sending out my first two chapters to as many agents as I could. I think that first night I got about half way through the alphabet, to about M, and by the next morning, or the morning after that, I was already getting some interest, which was really heartening.

And I eventually started working with a brilliant agent called Maggie Hanbury, who I’m still working with now, and I finished a workable draft of The Weighing of the Heart and we started sending it out. But at that point I had a stroke of bad luck. Another book about art theft in New York – The Goldfinch by Donna Tartt – had just come out, and it was a massive hit. It was everywhere. Again and again I heard from publishers: “We really like your book, but it’s just too similar to The Goldfinch.” Tartt’s debut novel, The Secret History, was a big influence on me, especially in its tone and pace, and I actually remember reading the news that she had a new book out on my phone on the way to work one day – a book set in New York, all about the theft of a painting. I distinctly remember thinking: “Oh no, that sounds very similar to my idea. I hope that doesn’t make things difficult for me.”

And then I moved to New York and started a new job and life became extremely busy and complicated, and I don’t do any work on my novel or on trying to get it published for the next year or so. When things started to settle down a bit, I went back to my agent, but she said she didn’t feel that she could send it out to anyone else because a number of publishers had turned it down already. So again I was faced with a choice. I could just leave the manuscript in my metaphorical desk drawer and get on with something else. But I knew that it was a good book and it felt frustrating that it was sitting there, unread. So I decided to send it out to small publishers myself. And again I went through the Writers’ and Artists’ Yearbook and the US equivalent, Writers’ Market, starting at A and sending out the first two chapters to as many publishers as I could. And the response was very positive. The received wisdom in the literary world is that publishers will only talk to you if you’ve gone through an agent, and that may well be true for the big publishing houses. But many smaller presses seemed happy to consider my book without an agent being involved.

I had a really productive discussion with Obliterati Press, a small publishing house in the UK set up by two writers whose whole purpose is to get books out there that they feel enthusiastic about, which otherwise might not see the light of day. They agreed to publish it, and it was a great process working with them. Signing my publication deal ended up roughly coinciding with our return to London from New York – and it felt very exciting to be coming back to the UK ready to achieve this ambition that I had been working towards for so long.

· What was the research like for it?

The main area of research was Ancient Egypt, which I really enjoyed diving into. I’m very far from an expert but I hope I managed to learn enough to make the theme work in the book. I’m still fascinated by it. Just before the lockdown started, I went to see the Tutankhamun exhibition at the Saatchi Gallery here in London with my wife and my parents. It was incredible to put yourself in the position of Howard Carter peering into the tomb in 1922. “Can you see anything?” he was asked. “Yes, wonderful things.”

· Art, Egyptian mythology and mental health are 3 of the main themes in the book, what drew you to writing them?

I always take a lot of inspiration from art and museum exhibitions. One of the things I loved when I first moved to London was discovering all the fantastic art galleries here – I remember some amazing exhibitions that really had a big influence on me: Edward Hopper at Tate Modern, Bridget Riley at the National Gallery. I remember a Picasso exhibition a few years ago which explored everyone he’d influenced: the Cubists, Francis Bacon, Henry Moore. It felt like he would invent a style, artists would flood in to imitate it, and then Picasso would just move on. I love that sense of creative restlessness. One of my first jobs at the Guardian was to summarise arts reviews, and that was my education in art – I knew very little about it before that.

The mental health theme was the aspect that worried me the most when the book came out. My presentation of Nick’s mental breakdown is not based on expertise at all – I really just tried to put myself in his position and tried to realistically depict how he might react. The response from readers with more experience than me of mental health problems might have been very critical. But so far it doesn’t seem to have been received badly, so I’m relieved about that.

· Do you think you will revisit the character(s) again?

I don’t think so. The way I think about characters, they exist to fulfil a function in the book, to help express an idea or a theme. So once that has been achieved (hopefully) at the end of the book, they don’t really exist any more. But you never know. If I had an idea that could only be expressed by using an older version of Nick or Lydia, then suddenly it might make sense to revisit them.

· What are you working on now?

I’m currently working on a new novel, which is essentially about this current phenomenon of lack of trust in the media, in authority, fake news, conspiracy theories. It’s set in New York again but it’s going to be set in the 1970s when New York was a sort of crime-plagued hellhole. That that was the kind of New York that I first fell in love with as a kid through films like Taxi Driver and Mean Streets. To me that was a time when New York felt so exciting but also so gritty and I really wanted to sort of conjure up that New York in my writing. It’s about a failing newspaper journalist who starts looking into conspiracy theories about the moon landings and he starts meeting these conspiracy theorists who believe the moon landings were faked. And as he gets drawn into deeper into the world he sort of finds himself against his better judgment starting to believe some of their paranoia. Unfortunately I’ve just missed the 50th anniversary of the moon landings, but hopefully I’ll have it finished in time for the 60th.

· What is next for Paul Tudor Owen?

My wife is just about to have a baby, so that’s going to be the main item on my agenda for quite a while, I think! · Where can fans find you?

My website: https://paul-tudor-owen.tumblr.com/

Instagram: @paultowen (https://www.instagram.com/paultowen/)

Twitter: @paultowen (https://twitter.com/PaulTOwen)

Facebook: https://www.facebook.com/PaulTudorOwen

Amazon: https://www.amazon.co.uk/Weighing-Heart-Paul-Tudor-Owen/dp/1999752848

Paul Tudor Owen’s debut novel The Weighing of the Heart is published by Obliterati Press and has been shortlisted for the People’s Book Prize 2020 and longlisted for the Not the Booker Prize 2019

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